1 Billboard debut, the no. There were allegations that the cars had been purchased under false pretenses and that the original owners had not been informed their cars would be destroyed. But a hot, new, young rock band that seemed to have a chance of mattering IRL was just enough of an anomaly to warrant taking the leap. “But I also think that 2008 was the great explosion on the internet, and so people were starting to listen to different types of music, and so I think that was the first year of the decline of guitar rock.”. That larger debate can be boiled down to the song title “Cape Cod Kwassa Kwassa” (which references a Congolese dance style) and the cheeky Myspace genre tag “Upper West Side Soweto” (which nods to both South Africa and Paul Simon’s vivid but not-uncontroversial reimagination of South Africa). Two years later, 2013’s Modern Vampires of the City likewise debuted at no. Each new tune sounded like a demo but felt suspiciously complete: the prim Afro-pop filigrees, the Ivy League erudition, the wise-ass hyper-melodiousness. No breakout-band success story, no matter how instantaneous and organic it appears, is entirely instantaneous and organic; at this level, nobody does it overnight, and more importantly, nobody does it themselves. 2009 brought one last burst of indie trailblazers crashing the mainstream, many tied to Brooklyn, physically or spiritually: Dirty Projectors, Grizzly Bear, Animal Collective. “So we get there in the middle of the opening band’s set. Vampire Weekend now represents the end of an era. But they can at least ensure that the era goes out on a high note. "There has been a total breakdown in the attorney-client relationship," attorneys Lavely & Singer wrote. Sign up to receive exclusive updates from Vampire Weekend I don’t know. “Unbearably White” will of course not generate as much hype as “Oxford Comma” did back in 2007, nor take as much heat. Vampire Weekend controversy: More details on the former model who's suing the rockers, plus responses from the photographer and band. “If anything, it leads more people to discover that music. Yet even if the photographer misled them, the court could still have found that they did not exercise sufficient due diligence, paying Brody $5,000 but not researching the photo's provenance. Contra was already on sale when Kennis's teenage daughter spotted her mum's face on the cover. And even then, an eventual letdown was inevitable. But the larger and more troubling point is that in 2019, only rappers or avant-garde pop stars can much inspire anyone to do or say much of anything. The “alternative” label was superfluous by then; they’d become one of the biggest rock bands in America, period. Ann Kirsten Kennis, who denied giving the band permission to use her image on album sleeve, wins undisclosed settlement, Contra-versy ... Vampire Weekend settle lawsuit with album cover star. They’d crossed over to the real world so successfully that it didn’t matter anymore what the internet thought. Vampire Weekend’s last album, 2013’s Modern Vampires of the City, was a further maximalist leap and another critical and commercial success: the no. You got it. “I do think that ultimately the reason their path was unique is because they’re unique,” says SiriusXM radio host and Rolling Stone contributing editor Jenny Eliscu, who first profiled Vampire Weekend for the magazine, back when the band was fresh enough to make a Hot Issue. Actually, I’d work with Kacey Musgraves. Saab-o-philes of the Internet: Vampire Weekend frontman Ezra Koenig wants you to know that he's sorry. But the band either couldn’t keep it together or didn’t want to, returning in 2010 with the claustrophobic, fame-addled, and defiantly pop-averse Congratulations. You’ll have an easier time finding music like this than it will have finding you against your will. But either way, they played the Hot New Band role so perfectly they rendered it obsolete. Indeed, “cute with great songs” could get you anywhere, though it couldn’t necessarily keep you there. Young breakout mid-2000s bands—see Black Kids, Cold War Kids, Tapes ‘n Tapes, and Clap Your Hands Say Yeah—tended to wither in the critical limelight, their debut albums praised to the heavens and their sophomore albums often ignored if not nuked from space. That internet ecosystem, by the late 2000s, had its monumental successes and its cautionary tales, too. There was. Twelve years ago, Vampire Weekend arrived with crisp polos and Africa-indebted melodies, becoming heroes and villains all at once. “‘They’re a party band. But the next Vampire Weekend record, 2010’s Contra, debuted at no. Rock critics evoked Paul Simon’s Graceland instinctively, as is our wont, though not everyone took this as an enthusiastic recommendation. “But they’re the kind of kids that things break right for.”. Vampire Weekend are veterans now, uncontroversial, still beloved by their day-one fans and largely ignored by their day-one detractors. The music industry at that time was post–Napster crash but pre-streaming boom, with Pitchfork ascendant, MP3 blogs like Stereogum and Fluxblog thriving—yes, a decade ago, young tastemakers devoured new tunes one download at a time—and the critical conversation, in those halcyon days before Twitter saturation, transpiring mostly on message boards and, soon, Tumblr. It was a grassroots operation on an industrial scale, each cog in the music-biz machine so efficient as to be inaudible. (It lost to Kanye West’s Yeezus.) For a restless and forever-mutating music press, the whole cycle felt as irresistible as it was inevitable. Vampire Weekend is the eponymous debut studio album by American rock band Vampire Weekend, released on January 29, 2008 by XL Recordings.The album was produced by band member Rostam Batmanglij, with mixing assistance from Jeff Curtin and Shane Stoneback.Its cover photo is a Polaroid picture from one of their … Far fewer young indie-rock bands are ascending to the level where they antagonize those listeners predisposed to distrust young indie-rock bands. “And then they’d hear who they were, and they’d be annoyed.”, Whether you loved to hate them or hated to love them, few modern rock bands inspired stronger feelings faster. But Vampire Weekend, with their 2010 sophomore album, Contra, proved themselves an anomaly once again. The gulf between desperately selling yourself and confidently helping Apple sell more hardware. So, before we pick … “And then Vampire Weekend starts playing,” Sanneh continues, still marveling at his suspicious friend’s conversion in real time. “A-Punk” indeed sounds like a straight-A student’s idea of punk; “Cape Cod Kwassa Kwassa” sounds like a louche campus loverboy’s come-on that doubles as a humblebrag about how many passport stamps he’s got. Which maybe it was. But in the six years since, it’s less that no younger band has overtaken the band’s lane than the lane itself has closed up entirely. “I always thought it was an unfair attack,” he writes. “Or this old rubric where mostly white, male, straight, cis, Ivy League, buttoned-up cool guys could come in and make a guitar album that was, like, jaunty, and everyone would lose their shit. Batmanglij is Iranian American; Koenig is of Hungarian-Jewish descent. 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